Friday morning, I had to make one of the most difficult decisions of my life: Skip the noon (read: last) showing of "The Cove," or go to the movie looking completely homeless. A heady combination of sleep deprivation and an unplugged alarm led me to wake up, heart pounding and wild-eyed, at 11:45 a.m. For context, it's important to note that the level of my vanity cannot be overstated - and that my hair looks like Courtney Love's on a bad day when I first wake up in the morning. But I also studied marine biology for many years, at one point wanting to make it my career, and had "The Cove" picked as one of my top movies to watch at the festival. Reminding myself that 90% of my time at the theater would be spent in darkness, I took a cue from young Hollywood and threw on a pair of sunglasses (instant glamour!) and snuck in the back.
As it turns out, watching people risk their lives to put a stop to a horrifying annual slaughter of dolphins has a way of dissipating concerns about your bangs. Part environmental warning, part heist flick, "The Cove" tells the gripping story of Richard O'Barry, who become an international sensation as the dolphin trainer on the set of hit TV show "Flipper" in the 1960s. Richard almost single-handedly created the dolphin park industry, exploding demand for dolphin shows and swim-with-dolphin programs due to the popularity of the show. But when one of the dolphins on the set committed suicide in Richard's arms (by holding its breath - dolphins are not auto-breathers, which means they choose whether or not to take their next breath), he realized how desperately miserable the creatures were in captivity. He has since spent the last 30+ years working to free captive dolphins and stop the dolphin trade industry.
Still from "The Cove"
The full house at the screening was instantly absorbed in the film, watching as Richard assembled a crack team ("our version of Ocean's 11") to infilitrate a hidden cove in Taijii, Japan, where it is rumored over 23,000 dolphins are killed every year. Outrunning local police, sneaking in at night and enlisting champion free divers to plant audio and recording equipment in the cove, Richard and his team captured for the first time ever horrifying footage of the annual dolphin slaughter. When Richard marched into the International Whaling Commission meeting (from which he has been permanently banned) with a TV strapped to his chest playing the footage, the audience at Lars Hockstad burst into wild applause. The slaughter still continues every year - the film urges people to get involved by texting "dolphin" to 44144 or visiting the film's website.
Still reeling from "The Cove," I headed home for a quick shower (no more Courtney Love bedhead) and made my way down to the State for an afternoon screening of "In the Loop." This one hadn't initially been on my radar, but an overwhelming amount of recommendations caused me to add it to my schedule. I'm so glad I did, because "In the Loop" is biting, brilliant political satire at its best. The banter is so rapid-fire, you're almost afraid to laugh in case you miss the next line. Pitting UK and US politicians against each other in a cat-and-mouse game of "will we or won't we invade?" (the country to be invaded is never named, but it's impossible not to think of Iraq), "In the Loop" may be one of the best-written, funniest movies you'll see all year. Keep an eye out for it - national buzz is already building.
Still from "In the Loop"
My last flick for Thursday was "Mary & Max" at the City Opera House, and it made the day a three-for-three hit for me. Although studios like Pixar and filmmakers like Hayao Miyazaki have gone a long way in changing audience perceptions about animation, the genre still tends to be underappreciated for the vast potential it offers as a visual medium. Only in recent years has the movement gained momentum, especially in the independent film world - groundbreakers like "Waltz with Bashir" and "Persepolis" have helped on that front. "Mary & Max," a claymation film that opened the Sundance Film Festival this year, will hopefully kick the door open even wider.
Still from "Mary & Max"
Oscar-winning writer/director Adam Elliot created this poignant, funny film (based on a true story) about a socially awkward Australian schoolgirl who accidentally becomes pen pals with an isolated, overweight middle-aged man in New York. The two exchange letters, chocolates and secrets over the years, building a heartfelt global connection that sees them through colleges, marriages and Overeaters Anonymous meetings. Animation aside, this is definitely a film adult audiences will appreciate. It's one well worth seeking out - an eccentric, inventive film that's unlike anything else you'll see at the festival.
Coming up in the Day 5 recap: Reviews from "The Examined Life" and "Sneak Preview with Jeff Garlin," plus outtakes from the 5K Costume Run and Filmmakers Party.
August 2, 2009 – 11:45 am
At Saturday night's "Sneak Preview with Jeff Garlin" at the Old Town Playhouse (the preview ended up being the first two episodes of the new upcoming season of "Curb Your Enthusiasm"), the comedian confirmed that a comedy fest is in the works for Traverse City early next year.
"We're looking at doing it in late winter," Jeff said. "Probably March rather than February, so people from Southern California will come." When the crowd laughed, Jeff added: "Listen, I'm from Chicago. I know March is f*****. But to people out west, it sounds better."
Jeff didn't announce further details, but said the festival is "in the works" and that he and Michael Moore are planning logistics. Given the time of year the fest is planned for, it could be just the cultural and economic jolt Traverse City needs to speed up the long transition from winter to tourist season.
A festival first for me this year: Seeing the same movie twice. I normally have a hard rule about not doing exactly that, because there's so much to see and you miss a ton of great films as it is. But what can I say? "The Answer Man" has a strange and powerful hold on me. The second time around, I took my mother, so I felt justified in a) creating a new festival-goer and b) sneaking in some family bonding time during the fest. My justification muscle is getting good exercise this week.
After getting in my daily dose of Jeff Daniels, I headed downtown to the State for a screening of "Waterlife." This was one of the films I was anticipating most at the festival, and it didn't disappoint. Kevin McMahon captured some of the most spectacular images of the Great Lakes you'll ever see on film. He instills a newfound awe and respect for the backyard waters we all enjoy - and then punches you in the gut with the undeniable tragedy of their rapid deterioration. In his opening comments, Kevin called "Waterlife" an aquatic road trip and "a biography of all of us who live here on the lakes." He also gave major props to the festival, saying: "I keep telling people, I've been to the other film festivals, and I can honestly say TCFF is the best in the world. Not only is this an incredibly beautiful city, but the people here are so nice. And I am overwhelmed by this exquisite theater." Comments like Kevin's are ones we've heard often over the years from the filmmakers, but it's always a great reminder of what a gift we have in attending movies in the State Theatre, during this festival, in this city. La vita et bella.
Kevin McMahon
I finished out the day with "Big Fan" at Lars Hockstad. Patton Oswalt was charming and funny as always, asking the crowd before the screening if it was "possible to get anything else with cherries in it." He riffed: "I got some chocolate-covered cherries, the pants made out of cherries, apples made from cherries….do you perhaps have any cherry oxygen?" He commented on how nice it was "to see all these hippies running around" the city, and gave props to Top of the Ninth, the local comic book store. Fun stuff.
"Big Fan" is not a comedy per se - more of a dramedy, as much as I hate that schlocky word. I can't talk about the film without referencing the ending, which has to be one of the most memorable I've seen in a TCFF film. The audience went from one extreme end of the emotional spectrum to the other in a span of about 30 seconds. Ask anybody about the movie, and the words "bathroom scene" are almost always the first thing to come up. If you haven't seen it, I won't spoil the ending, but can tell you that it alone is worth the price of admission.
Patton Oswalt
Stay tuned for a recap of Day 4 (yesterday), which for me was a triple-hitter film-wise: "The Cove," "In the Loop" and "Mary & Max." Also, photos and quotes from tonight's 5K Costume Run and Filmmakers Party will be up tomorrow. Check back soon!
The movie Hair played last night at the Open Space along Grand Traverse Bay and these fans really got into the experience.
Tonight the fun returns with The Goonies followed by Big on Saturday evening - bring your family, bring your friends and enjoy a great evening!
Remember that you can add YOUR photos from the festival to the Traverse City Film Festival group on Flickr!
You know that point in your TCFF day when you officially cross the line into Crazyville? Dashing from screening to screening, forgetting your sunglasses at a venue and having to race back, running down Front Street as you scarf down a hot dog, mustard dripping off your chin, in the desperate hope you'll beat the line for the next screening at the State?
The film festival has the ability to make us all a little loopy. That's why we introduced, for your sanity and marriage-preserving pleasure, the relaxing oasis of the TCFF Film Lounge. Hosted at three locations downtown (Lay Park on Union Street, American Legion Park on Cass Street and the TCFF Box Office/Store/Cybercafe in Radio Centre Hall on Front Street), the TCFF Lounge provides a mental and physical escape from the frantic hubbub of the festival crowd.
Imagine, if you will, enjoying your sandwich on the beautiful green grass near the lazy Boardman River. Or meeting interesting and witty fellow filmgoers and chatting about the movies you've seen under a tent beneath the blue sky. Or, for the more technology-inclined, checking your email as you enjoy a delicious scone and freshly brewed cup of coffee. All this and more can be yours at the TCFF Film Lounge. Plus - you can take in free musical performances daily at the Lay Park lounge.
Check out the band schedule below, and join us daily from 1:30-6:00 p.m. (9:00 p.m. at the Box Office location). Your mental wellbeing - and spouse - will thank you.
Lay Park PerformancesÂ
FridayÂ
1:30 - Elizabeth Rivers
3:00 - White Wolf Black Bear
Saturday
1:30 - Injured List
3:00 - Jay Webber
4:30 - Ruby John
Sunday
1:30 -Â Mue Sephei
3:00 - Emory Joseph
4:30 - Mike Moran
…otherwise known as the post with significantly fewer photos. My camera battery died yesterday, so I'm forced to try and supplement the day's recap with some borrowed Flickr photos and the dazzling visual stylings of my writing. Buckle your seatbelts - this is going to be a bumpy ride.
Blame a newly decreased confidence in my writing abilities on yesterday's terrific TCFF Film School session with screenwriter and U of M professor Jim Burnstein. For those not in the know, the festival is offering a daily "film school" this week from 1-4 p.m. at CenterPointe, covering all of the various aspects of the film industry. After attending yesterday's class, I can assure you unequivocally that this is the best $3 you will ever spend. Right now, some poor student in California is bussing tables to pay off his $100,000 film degree from UCLA, and you can get lessons firsthand from some of the best in the business for a whopping weeklong total of - wait for it - $15. Use the difference to tip your waiters when you make it big in Hollywood.
TCFF Film School: Screenwriting Session
Coming from a family of writers and writing teachers, I tend to come to writing classes with a dangerous and completely undeserved expectation that there's not much to be taught on the subject that I haven't already read or heard. Within five minutes, Jim had neatly dismantled all of those prejudices. What was great was not only the hard-and-fast, easy-to-remember rules of screenwriting he shared - "Somebody wants something badly and is having difficulty getting it," "Simple Emotional Journey," "The solution creates a bigger problem" - but how Jim was able to wind in specific examples and clips from films to bring his points home. It's not often we see the actual screenplays of the films we love, but when you do, it gives you a completely renewed respect for the process of screenwriting - and in my case, a restored and healthy sense of my own lack of talent. To the screenwriters of Hollywood - a tip of the hat to you all.
After film school, I headed downtown for a bite to eat and a screening of "The Answer Man" at Lars Hockstad. The venue was packed - so packed, in fact, that I had to make an elderly gentleman on the aisle using a cane stand up so I could grab the last open seat in the venue, which incidentally, makes you feel like a terrible human being. But I think he forgave me once the movie started, because "The Answer Man" is easily one of the funniest, warmest films you'll see at the fest this year. I try not to gush, but folks: I loved this film. Except for one dangerously saccharine moment near the end, the movie exudes an almost pitch-perfect balance of snark and sentiment that garnered an equal amount of big laughs and misty eyes in the theater. Great cast, great writing - highly recommended.
"The Answer Man" Poster
I finished up the day with some last-minute schedule juggling so that I could go see Steven Soderbergh's "The Girlfriend Experience" with some friends at Milliken Auditorium. It was an interesting flick - a non-sensensationalized, practical look at the day-to-day life of a high-end escort. What it's like to have a dating relationship when you work in this business? What's your career trajectory? Do you need a business plan? Along the way, snippets of conversation and client worries provide a very real time capsule of the current economic crisis, the recent presidential election and other present-day events. While Soderbergh isn't for everyone - his last shot almost dares you not to take the film seriously - there's some really great subversive and unconventional stuff happening here. Worth the watch - especially for the discussion it will generate afterward.
Still from "The Girlfriend Experience"
On the docket for Thursday:Â Screenings of "Waterlife" and "Big Fan," a TCFF After Hours concert (Egon and Luke Winslow King at the Loading Dock), and hopefully, more photos. Stay tuned!
I was prepping for a radio interview early this morning, and started thumbing through the program guide to get an idea of the festival highlights I wanted to discuss. As I was reading, I was suddenly overwhelmed by the utter futility of my task. There is so much activity, so much to do and see and experience in these six days in Traverse City, it's possible that you could sit four people down at a dinner table to talk about their festival experience next Monday, and each will have had a completely different week than the others.
It's amazing to realize that, as much as I can try and cover the "festival experience," there will always be parts of it I never see or touch. Movies I didn't watch. Filmmakers I didn't meet. Parties I didn't attend. (OK, maybe not that last one.) This is where your comments - and your photos - come in handy. Everyone's TCFF week is unique, and if each person can share some small piece of their own perspective, it starts to make up that expansive, ambigious collage that is THE festival experience. So feel free to share your stories here on the blog, or to post your photos on Flickr. Join the festival chorus!
There were bands playing. Vendors selling. People celebrating. Balloons…gyrating? And all of it took place in one square block in downtown Traverse City. Ladies and gentlemen, we present you with…Opening Night of the fifth annual Traverse City Film Festival.
Walking downtown at 5:30 last night, it was amazing to see how crowded the streets were getting already. A good crowd gathered to watch Charlie's Root Fusion play on the corner of Front and Cass:
Turning left and heading toward the State from the band, I was immediately confronted with the most outlandish, confectionary balloon creations I have ever seen in my life. We were promised great things from New York artist Jason Hackenwerth, and he did not disappoint. These guys were the life of the party:
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Passing the balloons, I made my way toward the State, where a large crowd of excited fans and camera-laden press were gathered around the stage where the Opening Ceremony would be held. Filmmaker Rich Brauer, who was scheduled to receive the Michigan Filmmaker of the Year award, posed for photos and chatted with attendees:
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Former Governor Milliken was also warmly greeted by the crowd:
 
Finally, it was time for the ceremony to get underway. An announcement was made that there is a documentary being made about the film festival this year, and that the crowd would play a role in it. We were asked to chant "Happy fifth anniversary, TCFF!" in unison for the cameras. Being the obliging types we are, we took it a step further and added hand motions:
After that, Michael Moore took the stage and introduced Traverse City mayor Michael Estes, who asked the locals to put their hands over their ears and then welcomed out-of-town visitors with the promise, "The weather is like this 365 days a year. Be sure to come back and visit us."
Michael Moore introduced two new honorary co-chairs to the festival this year, which will become an annual tradition. The two individuals chosen for 2009 were Susan Brown and Jason Pollock, whom Michael praised as "doing the hard work to actually make the festival happen its first year." Michael then invited TCFF co-founders John Robert Williams and Doug Stanton to the stage to present the Michigan Filmmaker Award to Rich Brauer. John spoke about how he and Rich went all the way back to 1974, when they were taking photography classes together at NMC. He presented Rich with the award, noting: "It's wonderful to give this to someone who didn't go off to Hollywood, but who stayed here in Michigan to keep making films." Later that evening, at the Opening Night Party, I asked Rich about the experience, and he responded with sincere gratitude: "It's so wonderful to be acknowledged for the work you do. It was an honor to be up there."
Departing from tradition, the Opening Ceremony closed not with a ribbon cutting, but a ripping of this year's first TCFF ticket. "I love the barcode on this," Michael laughed:
With the film festival officially underway, the crowd quickly dissipated to head to the opening night screening, "Troubled Water." At the State, the film's director - Norwegian filmmaker Erik Poppe - told the crowd how he normally hated traveling with his films to festivals, and had asked if he could stay home to start work on his next film rather than tour the circuit with "Troubled Water." But when Michael wanted to show it as the opening night film for TCFF, Erik explained: "I couldn't say no. Michael is an inspiration to me. He's even bigger in Europe than he is here." Erik also complimented Traverse City in his charming slightly broken English - "so beautiful place" - and also the State Theatre, which he called "the most beautiful cinema I've ever been in."
It was, no doubt, a perfect setting in which to watch "Troubled Water." The program guide description hints at the tragic dramatic turns in this film (which I feel are better left unshared to preserve their emotional impact), but even that doesn't fully prepare you for the wallop this film packs. I will say it is one of the most emotionally moving, cathartic movies I've ever seen at the festival. If you are a parent, it may be a tough watch - but such an elegiac treatise on redemption, atonement and forgiveness. If you missed it last night, be sure to catch it in the theater or on DVD if you get the opportunity.
Post-screening, attendees flocked to the Opening Night Party at the Wade Trim parking lot, where event planner Allison Beers once again pulled off a great soiree:
Filmmakers and guests - including Erik Poppe ("Troubled Water"), Bob Byington ("Harmony and Me"), Justin Rice ("Harmony and Me"), Ben Steinbauer ("Winnebago Man") and several others - mingled in the crowd, enjoying the food, drinks, live music and dancing. When festivities officially shut down at 11:30, the place was still packed - a sure sign of a good party.
Today will kick off the first full day of the film festival, including morning film panels, afternoon film school, and screenings at the multiple TCFF venues through midnight. More photos, interviews and stories are coming soon, so be sure to check back often!
After months of planning, scheduling and late, late nights, the 2009 Traverse City Film Festival has officially begun! Join us tonight for the opening ceremonies, which offers something for every member of the family. Here's the rundown of what's happening tonight:
1. TCFF Opening Block Party. We officially launch the fest by shutting down Front Street at 5 p.m. for a free block party. Everyone is invited. There'll be music and walking balloon art by Jason Hackenwerth and entertainment for the whole family. At 6 p.m., we'll hold our opening ceremony in front of the State Theatre and present Rich Brauer with this year's Michigan Filmmaker Award. The free block party will run until the opening night party starts at 8:30 pm.
2. Opening Night Film: "Troubled Water." Michael calls it the best dramatic film of the past couple of years. This powerful, intense movie from Norwegian director Erik Poppe (who will be here to introduce the film) is our opening night selection. The 6:30 p.m. show at the City Opera House and the 7 p.m. show at the State are sold out (don't forget the standby line!), but tickets are still available at the box office and at the door for the 10:15 pm show at the State. Do not miss this movie!
3. Opening Night Party. It's one of the high points of the festival, and this year we're back around the corner from the State on Park Street beginning at 8:30 p.m., rain or shine. Michael and other filmmaker guests will be there, along with great local food, drink and music. Some tickets are still available at the box office and at the door, and Friends get half off.
4. Free Film on the Bay. We kick off our Open Space free films with "Men in Black" starring Will Smith and Tommy Lee Jones. The show starts at dusk around 9:45 p.m. Mue Sephei, Mike Moran and Phenomenal Head will play sets beginning at 7 p.m.
Don't miss this great kickoff to our fifth annual festival. See you tonight!
This year marks a first for the Traverse City Film Festival: Two new films by the same director are playing in the same lineup. Because he couldn't pick just one ("they're so funny"), festival founder Michael Moore selected Bob Byington's two most recent releases, "Registered Sex Offender" and "Harmony and Me," to play in the "Straight Outta Austin" series this week. We spoke with Bob and his producer/star Kristen Tucker about the two projects, and what they have coming up next in the pipeline.
Bob Byington & Kristen Tucker
Traverse City Film Festival: There are descriptions for both "Registed Sex Offender" and "Harmony and Me" in the TCFF guide, but in your own words, could you provide a short summary of each of the films?
Bob Byington: "Registered Sex Offender" is about a guy who gets out of prison and has a lot of community obligations to fulfill. It's a comedic take on his trials and tribulations.
Kristen Tucker: It's about a man who's being required to do something, but doesn't know how to do it.
Still from "Registered Sex Offender"
BB: Yeah, that's kind of a theme in my movies. I like to make films about people who have to do things they have no idea how to do. "Olympia" [made in 1998]Â was about a coach who doesn't know how to coach. Really, it's an obvious metaphor for filmmaking. No one knows how to make a movie. You just show up at the shoot and do the best you can. So rather than just, you know, make a movie about making movies, I pick metaphors for that.
TCFF: So what is it that the central character in "Harmony and Me" doesn't know how to do? Let go of his girlfriend?
Still from "Harmony and Me"
BB: I'd say that's part of it.
KT: "Harmony and Me" is movie about being stuck, and learning to move on when you're in a place in your life where you're just not going forward.
BB: Stuck. Good word.
TCFF: In both "Registered Sex Offender" and "Harmony and Me," you use a documentary aesthetic, which is unusual for fictional films. Tell me about how you arrived at that style, and why it works for your subject matter versus traditional cinematography?
BB: I think I use that style because I'm most responsive to immediacy, and I like the idea of getting the most fundamental material up on the screen. The doc style fits with my idea of how to capture that.
KT: It provides so much freedom too, for the director and for the actors, because it allows us to capture spontaneity on set. We have the freedom to explore our impulses.
BB: The material we like the most in the films always ends up being those accidental moments from the set.
TCFF: So how much of the film is scripted ahead of time then versus improvised?
BB: I'd say it's about 2/3 scripted, 1/3 improvised.
KT: We always come in to the project with a full script and a planned shooting schedule. But as far as what actually makes it into the final edited film, yes, I'd say it's about 2/3 scripted to 1/3 improvised.
TCFF: How did you get Justin Rice, who might be better known for his band Bishop Allen, involved in "Harmony and Me?"
BB: I saw Justin in a film called "Mutual Appreciation," which is where the idea began to form of writing "Harmony and Me" for him. When I was writing, I had his and a few other images in my head for the role, but by the time it was finished, his was the only one left. I printed up the script and sent it to him, and he called and said, "OK, let's do this."
Justin Rice in "Harmony and Me"
TCFF: You used a number of the same actors, including Kristen, in both films. Have you ever shopped the scripts around in the hopes of getting a so-called "marquee name" attached to any of the projects? Or do you want to keep working with the same troupe, similar to what Judd Apatow or Christopher Guest has done?
BB: That's a good question. I just got off the phone with Mark Duplass ["Humpday," also showing at TCFF] about an upcoming project, and he is becoming a name. He still feels like he's in my world, and we knows lots of the same people, but he's moving up. I want the projects to get bigger and to grow. I usually don't have pie-in-the-sky ideas about cast. But yet, we got nearly everybody we wanted for "Harmony and Me." 85% of that cast was our first choice, and that's out of anybody in the United States.
Still from "Harmony and Me"
TCFF: Kristen, I wonder if you might speak to your experience being both in front of and behind the camera in these films. Do you prefer one over the other? And what lessons did you learn from "RSO" that carried over to "Harmony and Me?"
KT: "RSO" was almost like a film school in a lot of ways. We made a lot of mistakes, and we had the time to try things again and again and again. We learned a lot. We premiered "RSO" in March of 2008 at SXSW, and then a few weeks later went into production on "Harmony and Me." The two projects kind of meshed together. Bob and I have figured out how to work together, what our strengths and weaknesses are, so we're now able to utilize those things for a film.
Kristen Tucker in "Harmony and Me"
I know that I could never be completely satisfied doing just acting. I come from an engineering background, and my day job is in that field. Engineering is a little too left brain for me, and acting is a little too right brain for me. But producing is right in the middle. It has both creative and logical elements to it, which I like.
BB: Kristen brings a problem-solving mentality to producing, which is great. She's not intimidated by obstacles. She has an ability to knock it out of the park.
TCFF: How did you two meet?
BB: Kristen came in to audition for a small part in "Registered Sex Offender," and we knew she was a star and wanted to get her more involved. When you have a star, you have to give them a big role.
TCFF: Are you working on anything else?
Bob Byington
BB: I've got a couple of other projects in the works. There's the one I mentioned with Mark Duplass - that's probably coming up next. Kristen may end up involved with that one.
KT: Yeah, I'm considering a few options right now. I'm actually about to move to New York, so let's taking up a lot of my attention.
BB: One of our producers, Anish Savjani [Anish also produced State Theatre fave "Wendy and Lucy"] is also out in New York. They're taking over New York for us.
TCFF: How has the reception to "Registered Sex Offender" and "Harmony and Me" been so far on the festival circuit?
BB: "RSO" premiered at SXSW in 2008 and had a nice run in there. We shifted our attention to "Harmony and Me" so quickly that we now feel like we're revisiting "RSO." I have this idea that the two play together in this weird way. I don't know if we'll screen them together or package them that way, but I like the idea.
When Michael Moore asked for a copy of "Harmony and Me," we snuck in a DVD of "RSO" when we sent it up. Kristen told me not to, but I did it anyway. I thought he would like it. As luck would have it, he did.
"Registered Sex Offender" is playing Saturday, August 1 at midnight at the Old Town Playhouse and Sunday, August 2 at 9:00 p.m. at the City Opera House. "Harmony and Me" is playing Wednesday, July 29 at midnight at the Old Town Playhouse and Friday, July 31 at 9:00 p.m. at the State Theatre. For ticket information, click here.
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